Youtube Mamma Mia Here We Go Again Dancing Queen
- INSIDER spoke to "Mamma Mia: Here We Become Again" director Ol Parker almost the complicated "Dancing Queen" scene, which involved xiv boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't expert dancers, and then they changed their choreography for the boat scene the night earlier shooting.
- Parker besides confirmed why Meryl Streep'southward character Donna was killed off for the sequel, and why the movie doesn't analyze how she died.
- "Mamma Mia: Hither Nosotros Go Again" is available on digital, DVD, Blu-ray, and On Demand at present.
Ol Parker, the director of "Mamma Mia: Here We Get Once more," made the most delightful movie of the summer that audiences and critics loved.
INSIDER spoke to Parker leading up to this calendar week's DVD, Blu-Ray, and On Demand release almost the circuitous "Dancing Queen" sequence that involved 14 boats, and the decision to kill off the main character.
"Hither We Go Again" tells two stories from two different time periods. In the nowadays, Donna, played past Meryl Streep in the original 2008 "Mamma Mia," has passed away. Her daughter Sophie (Amanda Seyfried) is running a hotel from the Greek Island where they lived together. The other story, set thirty years earlier, shows how Donna (played by Lily James) met Sophie's three "dads," ultimately leading to Donna settling in Greece, significant with Sophie.
Late in the film, Cher, who plays Donna's female parent and Sophie'south grandmother, shows up on the island and sings the iconic ABBA song "Fernando" with Andy Garcia, a moment that made audiences everywhere scream with excitement.
Parker likewise told INSIDER how Meryl Streep's interest in doing the sequel with her grapheme dead got the rest of the original cast to do the moving picture. And some of them said yes without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could y'all walk me through the process of making a sequel ten years afterward?
Ol Parker: There was always a massive desire for a sequel. The studio couldn't have wanted it more given how much money the original made. Merely immediately, in that location was just a struggle. Not every story needs another affiliate. So they couldn't really find a proper version that actually made dramatic sense. And all of the cast, Meryl in item — none of them wanted to do it. They were all very proud of the first 1 and what it had achieved and how it had made people feel. And so they didn't merely want to show upwardly. Meryl was never going to do that.
Wittmer: Interesting. How did y'all get involved?
Parker: Because they were desperate and I was cheap, I think. And I suggested that Meryl's character be expressionless in information technology, and that we make the moving picture at to the lowest degree in part almost getting over the loss of her.
Wittmer: Did Donna being dead make Meryl a lilliputian more into the thought of a sequel?
Parker: We talked to her about information technology, and she was delighted. The news that Meryl was in was brilliant to the residuum of the cast and vivid for me, patently, because they all committed straight away. Some of them without reading the script.
Wittmer: In the movie you don't reveal how Meryl's graphic symbol Donna died. Do y'all know how?
Parker: Yep. And we included the cause in various different drafts. It's just if you utilise the word "cancer," information technology kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] about how it had gone and how long it had taken for Donna to dice, and we all felt that the characters had time to get used to it while it was happening. Information technology wasn't sudden, it wasn't a drowning or something. And then, something deadening.
Wittmer: One affair I love about "Hither We Go Again" is the use of some of ABBA's less pop songs, like "Andante, Andante" and "One of United states of america."
Parker: I basically did the movie to please my mum.
Wittmer: Was information technology difficult to selection what songs to use?
Parker: I hateful, you lot tin't do it without "Dancing Queen," and evidently the movie is chosen "Mama Mia." But when I first went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would beloved for the songs to serve the plot and drive the plot." So I just thought if I just chose the best song for the drama rather than the most well-known song and so that would exist neat. "I've Been Waiting For You" is very little known, simply I just thought it was absolutely beautiful and I had the idea of Amanda singing it while Lily gives birth. And Bjorn rewrote the lyrics very generously to get in more connected to what you lot're watching, which he also did at the finish with "My Love, My Life."
Wittmer: I didn't fifty-fifty observe the lyrics were rewritten. How did you incorporate "Fernando?"
Parker: I just wanted the song. I hateful, Andy [Garcia], his grapheme Fernando was invented so that Cher could plough to him and sing, "Fernando." He was invented in reverse for that moment. Then different songs for different things. But in full general, the thought was to effort and brand them drive the narrative a fleck more like a musical than a jukebox musical.
Wittmer: There's a lot of complicated choreography in these musical sequences. I'thou thinking specifically of "Dancing Queen," which involves many, many boats. What was it like to film that?
Parker: I was admittedly delighted, but horrified to be offered the job two months after I'd handed in the script. Because it suddenly became my problem, having merrily written, "Yeah, fourteen boats, it's gonna exist great! Fabled!" So I notice myself in a helicopter looking at 14 boats thinking, "Okay." But yeah, it was complicated. My principal fashion of directing is to hire really skillful people and and then get out of the manner and let them be vivid. I had a really practiced squad. They took actually good care of me. And everyone was actually committed and the actors were all in, as you can tell. So it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: It's amazing. I can't get Colin Firth and Stellan Skarsgård spooning each other on the boat out of my head.
Parker: Colin and Stellan were slightly worried about dancing, because they're not bang-up at it. We were talking the night before shooting, and they'd rehearsed the dances on the boat. Just it just wouldn't have looked neat. I was like, "but hang from the rigging. Take fun. Merely have fun." And they had a brawl. They were laughing all the style through information technology and information technology turned into an incredibly happy day for them, which is not what they were expecting. If they're having fun and so we volition. That was my promise, anyway.
Read More:
12 surprising things you lot probably didn't know about the 'Mamma Mia' movies
Then AND Now: The cast of 'Mamma Mia' 12 years later
Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10
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